Art, le présent.
La création plasticienne au tournant du XXIe siècle. pp 280
… The sound is a testimony, following the example of the image, neither better nor more badly than it: the marker of a reality which the artists aestheticise as noise and for which the " sound object " constitutes a significant mode of apprehension. Cécile Le Talec tries to give to represent, by means of an installation designed with the cooperation of physicists, his Acoustic Corridor (1997), the vacuum : which better argument, to this end, that a work on the silence…
Paul Ardenne. 2009.